This Is Where I Leave You
Can this crazy dramedy put the fun in dysfunction? Can pigeons in New York clean up their own messes?
No Good Deed
It’s really nothing more than a lame, sadistically minded thriller that relies on its overbearing musical score to tell you when to jump.
Atlas Shrugged III: Who Is John Galt?
This third and final tribute to Ayn Rand’s hyper-capitalist and hyper-individualist philosophies finally answers the core question. And it’s not the one in the title.
The Remaining
The end has come and there’s little left to do but dodge the demons and … pray.
As Above/So Below
As Above/So Below is unnecessarily profane, populated by albino-skinned dead reaching from pools of blood … and destined for a second slow death on Netflix.
The November Man
While the flick gives Pierce Brosnan a chance to play a spy again, the suave former 007 feels miscast as the bleak and ruthless November Man, and his charm gets lost in the movie’s sadism.
Venom
As a superhero story, Venom ironically lacks teeth.
If I Stay
After a bad car accident, young Mia has an important question to answer: Will she or won’t she … stay?
Sin City: A Dame to Kill For
I wonder if Sin City itself is hell, in a way. It reminds me a little of the grey town in C.S. Lewis’ The Great Divorce—people living in a dark and joyless place, surrounded by their own sin and fear.
The Expendables 3
The film never stops. It never breathes. It never wants anything other than one more exhilarating slam-crash-pow.