To Dust is one of the strangest and, in its own way, truest depictions of grief I’ve ever seen on …
This horror film kills with abandon, mutilates with gusto and has absolutely nothing at all to say.
As its title hints, Velvet Buzzsaw is gory, brutal, disturbing and shallow.
The Favourite may indeed be a favorite with secular critics and Academy voters. For me? Not so much.
This film’s troubling elements don’t negate its virtues, but they certainly make it a more difficult date-night companion.
If Beale Street Could Talk is a movie that many might talk about, but it’s a love story that’s also …
Bird Box won’t be up for any awards, most likely, and it’s R all the way. It didn’t need to …
For those who want a raw look at Instagram and how it’s impacting teens, Social Animals is as relevant, and …
Ben Is Back clearly exclaims that addiction singes everything and everyone in an addict’s orbit.
Mary Queen of Scots may be well acted. But it’s still a wincingly difficult R-rated film to watch.
The Possession of Hannah Grace is, frankly, little more than a cold room chock-full of bleak and bloody bumps and …
Roma remains a deeply affecting work—stunning in its use of light and shadow, resonant in its unassuming storytelling.
Despite its impressive pedigree, Widows is ultimately snared in its own web.
In its graphic depictions of its Nazi horrors (and horrific Nazis), Overlord goes overboard.
