Mary Queen of Scots may be well acted. But it’s still a wincingly difficult R-rated film to watch.
This darker, bloodier take on Mowgli’s story won’t be for everyone.
Ben Is Back clearly exclaims that addiction singes everything and everyone in an addict’s orbit.
The Possession of Hannah Grace is, frankly, little more than a cold room chock-full of bleak and bloody bumps and …
Roma remains a deeply affecting work—stunning in its use of light and shadow, resonant in its unassuming storytelling.
We all know Robin Hood’s story. But this film has little to do with that familiar tale of Robin of …
Green Book is engaging, funny, moving and even inspiring. It reminds us that race relations are never just black and …
Adonis Creed comes to understand what he should fight for—family and friendship and even love—and what he shouldn’t.
Instant Family offers a poignant, comedic and at times profane portrait of the ups and downs of becoming foster parents.
This film can be, much like van Gogh’s paintings, beautiful and ugly and deep.
Despite its impressive pedigree, Widows is ultimately snared in its own web.
When someone’s running for public office, should their private lives be scrutinized?
The nasty web this sequel weaves is still sticky with R-rated problems.
In its graphic depictions of its Nazi horrors (and horrific Nazis), Overlord goes overboard.
This movie’s just terrible. Terrible aesthetically, terrible ethically, terrible in every which way a movie can be.