It’s just too bad Hello, My Name Is Doris didn’t say good-bye to more of the genre’s other standard trappings—the …
This is a horror movie, both intimate and sprawling in scope. And as a horror movie, it works. It works …
The dramatic license taken by Rice comes across as wholly different from the likes of recent biblical epics Noah and …
Shock-schlock provocateur Sacha Baron Cohen seems incapable of creating anything less than incomprehensible foulness.
Kim’s vulgar, hedonistic tale that never quite meanders all the way to the meaning she’s so desperately looking for but …
Even if the mayhem makes it past your familial sense of protectionism, the obscene language probably won’t.
Terrence Malick movies are like onions. Remove a layer, and there’s always another one to explore. And sometimes they can …
Gods of Egypt has some nifty CGI work, but is otherwise terrible in pretty much every sense of the word.
Triple 9 is a brutally profane, wincingly violent thriller that pretends to plumb the depths of moral ambiguity.
Risen accomplishes something quite remarkable: It tells the familiar, timeless story of Jesus’ death and resurrection from a fresh vantage …
The devil truly is in the details in this dreary, demented rumination on wickedness … that has no godly counter …
How to Be Single is a lousy title for this movie. There’s really very little insight of any kind here …
With great power comes great responsibility. That’s what Spider-Man taught us. But Deadpool is as irresponsible as they come.
The Choice dutifully checks every expected box—both the poignant elements and the problematic ones.