Based on the novel of the same name by Patrick deWitt, French Exit is a film that wants to be …
The Father, of course, is a very sad movie, one that mercilessly marches through the realities of fading by inches.
Limbo is both silly and serious, delightful and, at times, despairing. That’s not an easy mix to get right.
Though Voyagers is free of really explicit content, it’s still chockful of PG-13 levels of violence and suggestive scenes.
A thoughtful cinematic journey of recovery for some, but a potentially dark road for others.
The Marksman makes for a rather depressing and cheerless trip to the movies.
Together Together offers an interesting, at times crude, springboard into a conversation about surrogacy.
If the screenwriters had throttled back, if they’d kept what you hear as clean as what you see, this Netflix …
What starts out as a grotesque horror movie morphs into something more akin to sci-fi about halfway through.
It’s violent and crass and profane, of course. And it still manages to be very dull and tedious anyway.
Concrete Cowboy is a modern redemption tale with an equal number of aces and poison snakes in its boot.
On Jan. 22, 1973, nine Supreme Court justices made abortion the law of the land in America. It was the …
It’s bloodier. More profane. Its quasi-spirituality can be perplexing. And then there’s this: It’s just a darker movie.
Much like how Moxie the zine makes many mistakes in its protests, so does Moxie the film.