Michael Bay’s Netflix debut is little more than endless explosions, an unbelievable plot and explicit content. Oh, and Ryan Reynolds.
The Good Liar isn’t great. In fact, it has more cutting edges and caustic bits than you would expect, or …
This former child star’s path to redemption is obviously a painful one, filled with excesses and extremes onscreen.
Director Martin Scorsese’s Netflix-based The Irishman feels a little like a particularly bloody version of Forrest Gump.
This cinematic nor’easter is more disheartening and spiritually oppressive than nearly anything you’re apt to find on a theater screen.
This movie is a pointless joke with a crushed-skull punchline: Like your average zombie, it doesn’t have a single reason …
Joker begs for a hero. It gives us a clown. Gotham seeks salvation and finds only blood.
Dolemite Is My Name is, without question, extremely rude, crude and vulgar.
Last Blood squeezes out every last drop of blood and gore that it can.
This Amazon Prime original combines glaring plot holes, awkward characters and really unsavory content.
You can’t keep a bad clown down. And Pennywise is a very, very bad clown.
Ready or Not is a deranged black comedy that wears its wild-eyed craziness proudly.














