What if we’re all heroes in our own movie? That’s the intriguing premise behind Adam Young’s inspiring new album, Cinematic.
Love and lust, hope and heartbreak get all tangled up on Shawn Mendes’ third, self-titled effort.
On Charlie Puth’s second effort, he can’t seem to decide if he’s more interested in being sweet or seductive.
On Post Malone’s second effort, he does whatever he wants—though unbridled hedonism clearly isn’t making him happy.
Positive themes outweigh problems on Keith Urban’s latest. But there’s still enough sippin’ ‘n’ swearin’ to warrant a warning.
Janelle Monáe’s latest is a compelling, complicated case study in contradictions when it comes to love and freedom.
There’s no life experience that can’t be marinated in alcohol, if you take Jason Aldean’s songs here at face value.
Cardi B’s nonstop vulgarity might just make you feel as if she’s invaded your privacy.
Kacey Musgraves’ third effort brims with positivity and only plows over a couple of content bumps along the way.
As musical escapes go, this one gets a mixed review.
Scotty McCreery’s latest delivers another dose of his baritone country earnestness—and nods to tipping back a brew or two.
Light and dark swirl on this Canadian rock act’s latest effort … with darkness perhaps claiming the last word.
This up-and-coming Australian indie artist majors in sweet sentiments and dabbles in some mild sensuality as well.
This soundtrack’s admirable cry for justice, love and equality competes with explicit lyrics filled with sex, drugs and violence.
Tender love songs are in the minority on a soundtrack that more often mirrors the R-rated content of the film …