Four cuts value lasting romantic relationships and express a willingness to work at them.
Purring come-ons are the rule. “Come Over (Interlude)” invites a lover to stay the night. A man’s caresses make a woman want to “do it on the floor” (“Touching My Body”). Vixens pride themselves in making men swoon (“One Shot”) and enjoy playing the tease. For example, “Heartbreaker” warns an admiring male, “You couldn’t handle me if you were here … You wouldn’t know what to do with me,” while “Back Up” asks a potential sex partner, “Show me what you workin’ with.” “Right Now” and “Ooh Ahh” communicate the explicit sounds of women in ecstasy. Catty conflict with a rival female over a lover’s affections includes the taunt, “You ain’t gettin’ it like I’m gettin’ it/You ain’t pimpin’ like I’m pimpin'” (“Want It”). Cruising in a convertible, the girls are entertained by their ability to turn heads (“Show Stopper”). Immodest liner photos reveal cleavage.
This frothy, heavily sexualized disc features five soundalike sirens who were discovered and introduced as contestants on MTV’s reality series Making the Band 3. Pretty voices and tight harmonies, but way too racy.
After spending more than two decades touring, directing, writing and producing for Christian theater and radio (most recently for Adventures in Odyssey, which he still contributes to), Bob joined the Plugged In staff to help us focus more heavily on video games. He is also one of our primary movie reviewers.
