Plugged In exists to shine a light on the world of popular entertainment while giving you and your family the essential tools you need to understand, navigate and impact the culture in which we live. Through reviews, articles and discussions, we want to spark intellectual thought, spiritual growth and a desire to follow the command of Colossians 2:8: "See to it that no one takes you captive through hollow and deceptive philosophy, which depends on human tradition and the basic principles of this world rather than on Christ."


Family uses Plugged In as a ‘significant compass’

"I am at a loss for words to adequately express how much it means to my husband and me to know that there is an organization like Focus that is rooting for us. Just today I was reading Psalm 37 and thinking about how your ministry provides ways to 'dwell in the land and enjoy safe pasture.' We have two teenagers and an 8-year-old in our household...Plugged In has become a significant compass for our family. All three of our kids are dedicated to their walk with Christ but they still encounter challenges. Thanks for all of your research and persistence in helping us navigate through stormy waters."

Plugged In helps college student stand-up for his belief

"Thanks for the great job you do in posting movie and television reviews online. I’m a college freshman and I recently had a confrontational disagreement with my English professor regarding an R-rated film. It is her favorite movie and she wanted to show it in class. I went to your Web site to research the film’s content. Although I had not seen the movie myself, I was able to make an educated argument against it based on the concerns you outlined. The prof said that she was impressed by my stand and decided to poll the whole class and give us a choice. We overwhelmingly voted to watch a G-rated movie instead! I’ve learned that I can trust your site and I will be using it a lot in the future.”

Plugged In brings ‘Sanity and Order’ to Non-believer

“Even though I don’t consider myself a Christian, I find your Plugged In Web site useful and thought-provoking. No one reviews movies like you do. Instead of being judgmental, you put entertainment ‘on trial.’ After presenting the evidence, you allow the jury of your readers to decide for themselves what they should do. In my opinion, you bring sanity and order to the wild world of modern day entertainment. Keep up the good work!”

Mom thinks Plugged In is the ‘BEST Christian media review site’

"Our family doesn't go to the movies until we go online and check out your assessment of a given film. I think this is the BEST Christian media review website that I've found, and I recommend it to my family and friends. Keep up the good work!"


Our hope is that whether you're a parent, youth leader or teen, the information and tools at Plugged In will help you and your family make appropriate media decisions. We are privileged to do the work we do, and are continually thankful for the generosity and support from you, our loyal readers, listeners and friends.


    No Rating Available

Watch This Review

We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well.

Movie Review

Little Augusten Burroughs and his mother, Deirdre, share a peculiarly symbiotic relationship. She showers the child with the attention he craves and he gives her an ever-present audience for mundane poetry readings as she imagines her "inevitable" fame. But as the 1970s progress, the boy also has to bear witness to his mother's increasingly frequent battles with his father, Norman—a disinterested, disconnected drunk. After one particularly violent clash, the parents call in the aid of Dr. Finch and his new-age brand of counterculture psychotherapy.

The doctor demands five-hour daily sessions.

This leads to Norman bailing on the family and Deirdre finding the renewed creativity (and Valium) she needs to follow her hyper-feminist dream of self-actualization. Unfortunately, it also precipitates Augusten's spiral into a childhood nightmare as Deirdre throws him aside to follow her own narcissistic pursuits. Dr. Finch, who has a history of adopting patients to procure their money, offers to adopt the boy. And through no choice of his own, the poor teen is moved into a decaying pink mansion filled with garbage and the demented, predatory, anything goes Finch family.

Positive Elements

Based on what's reportedly an embellished memoir by real-life Augusten Burroughs, Running With Scissors focuses on adults who are so selfish that everyone around them suffers. However, this painful environment makes tender moments in the film stand out with a vibrant poignancy. For example, as Norman is moving out of his home, he stops at the door and looks back at Augusten as if seeing him for the first time. The man silently walks over and kisses his son on the head before leaving.

At the crazy Finch house, Augusten finds solace in Mrs. Finch, a listless, bedraggled matriarch who usually sits nearly catatonic on the sofa eating doggie-kibble and watching old black-and-white TV shows. The wounded boy brings out her motherly side and she becomes the most loving person in his life. Eventually she helps him escape the grip of the family. As he waits for a bus out of town she tells him, "You're the best son a mom could want. You need to know that." Augusten also connects with the family's youngest daughter, Natalie. They recognize the similar agonies they share and Augusten tries to take her with him when he leaves.

Spiritual Content

The family expresses a grotesquely misshapen view of God. Eldest daughter Hope makes life decisions by playing a game she calls Bible dipping (she likens it to a Magic 8-ball). She opens Scripture and randomly points to a word and uses that as a message of direction. One morning, Dr. Finch runs down the hallway screaming of miracles and calls the family into the bathroom. He points to his bowel movement and claims it to be a sign from God ("It's a direct communication from Holy God our Father"). Through exclamations of praise, he orders his wife to scoop it out and create a shrine.

When the family is feeling financial pressure from the IRS, Finch says, "We'll pray God will take care of us." Natalie retorts, "And when God turns a deaf ear, we can all live in the car." Dr. Finch has a poster with a baby Jesus imprinted on it in his office. Hope also claims to get psychic messages from her cat, saying he's sick and dying. (She keeps him quarantined and he eventually starves to death.) Hope is later seen stirring a pot at the stove that she says contains the dead pet. "He told me he wanted to be reincarnated ... as a stew."

Sexual Content

The film disgustingly and repeatedly treats all sexual choices as perfectly natural, even those made by—or forced upon—children. For example, Neil Bookman, a lonely, 35-year-old gay man (subject to fits of rage) lives in the garage in back of the Finch house. He seduces 15-year-old Augusten (who claims he is gay, but who has never been sexual) and the two are shown shirtless and sweaty in bed after a physical encounter. Augusten falls back on the pillow, panting, and chokes out, "What was that?" And Neil replies, "That's what gay men do." It's pointed out that Dr. Finch believes a child to be an adult when he or she turns 13 and the entire family (including Augusten's mother) accept the ongoing gay relationship as a matter of course.

Natalie tells Augusten of a relationship that she had with a 41-year-old man when she was 13. She relates that when the man became violent and broke her collarbone, he was pressed into donating $75,000 to Natalie's college fund (all of which was spent on back taxes by Dr. Finch).

Thus, abhorrent, abusive and criminal behavior is absolved onscreen as the family either embraces it, exploits it or tiptoes around it.

Augusten walks in on his mother kissing another woman. He is flustered by this, but his mom explains that all her life she has been oppressed by one person or another and that she will no longer "oppress" her desires. She spits out self-righteously, "I hope I don't have to fight oppression from you, too."

The doctor talks openly about his own sexual proclivities with his patients (including Augusten) and refers to an adjacent room as his "masturbatorium." We see Deirdre drugged out on her bed in a slip. And Natalie's daily sex-kitten attire usually consists of skimpy hot pants and a midriff-baring low-cut top.

Violent Content

During a drunken scream-fest, Norman charges his wife and runs headfirst into a kitchen cabinet, cutting his forehead and knocking himself out. As he starts to recover, Augusten says to him, "Please don't kill her."

Neil gets frustrated that Dr. Finch's treatments don't seem to be helping him get rid of the taunting voices he hears in his head. So he begins trashing the doctor's office and culminates his tirade by coming across the doctor's desk and taking him by the throat. Later, Neil is convinced that if he could kill Finch then everyone would be free of his puppet-master control. He breaks into the house late at night and moves to stab the doctor with a pair of scissors.

Natalie connects Augusten to an electro-shock machine and is interrupted seconds before pumping 1,000 volts into him.

Crude or Profane Language

The f-word is spit out over 20 times, with the s-word following close behind at a dozen or so. God's name is profaned about 10 times; more than half of those times it is combined with "d--n." "Jesus" and "Christ" are also dragged through the mud. Fistfuls of milder profanities ("h---," "d--n," etc.) raise the tally further. There's also a handful of vulgar and obscene references to male and female genitalia, and three insertions of the n-word.

Drug and Alcohol Content

Dr. Finch hands out drugs like lemon drops. In one instance, he casually offers Neil some meds from a new shipment with, "You want some of this? I'm not sure what's in here." We see Deirdre impacted the most by the open spigot of medication. Her collection of pill bottles continuingly grows as we watch her pop handfuls and descend into deeper and deeper stages of addiction. Finally, she begins having psychotic and hallucinatory episodes that drive her to a sanatorium.

Augusten is also the recipient of the doctor's medicinal largesse. When the teen complains that he doesn't want to go to school, Finch tells him that the only way he could legally get him out of going would be if it looked like he had tried to commit suicide. Augusten balks and Finch says, "Where is your spirit of adventure?" The confused boy then attempts an overdose and is rushed to the hospital for a stomach pump.

Most of the adults are also shown drinking wine and hard liquor, and cigarettes are smoked by adults and teens alike. Augusten isn't a smoker until he's offered a cigarette by an adult. Dr. Finch smokes a pipe.

Other Negative Elements

The psychologist's broad-minded philosophies of "tolerance" amount to little more than cruelty imposed upon his family (that they seem deadened to). At the dinner table the two sisters argue using caustic allusions to oral-fixations and anal-retentiveness, with no word from their father. However, when the conversation changes to references of male and female genitalia he does pipe up—with praise for the progression of their metaphors. A frustrated Augusten later bursts out with, "I want rules and boundaries. ... I want to be grounded for sleeping with a 35-year-old schizophrenic."


Halfway through this story of a young man whose Medea-like mother blithely tosses him into the arms of predatory monsters, you wonder why you're still sitting there. And I'm not just talking about how I felt. Because this was about the time when people at the advance screening I attended started leaving the theater. (A rare occurrence these days.) It wasn't the performances that drove them away. Most of the actors—especially Evan Rachel Wood—are stellar. There are also comedic and tender moments. And I can see how "open-minded" intellectuals or a certain sort might chuckle off this movie as another dysfunctional family comedy set in those crazy, shag-carpeted '70s.

But there's nothing here that should be laughed off. This is a vulgar, loathsome film that looks at pedophilia, homosexuality and homosexual pedophilia with the same non-judgmental attitude as its scatologically challenged Dr. Finch does. Not that anyone should expect anything less from director and writer Ryan Murphy, the man responsible for one of television's most repugnant series, Nip/Tuck.

Murphy does manage to vomit out a vivid illustration of mankind's pell-mell bent toward foolishness and cruelty, which he colorfully dolls up as a quirky comedy. He shows a bunch of people making a bunch of horrible choices with very few direct consequences (other than the continuing muck of a life they live in) and with no solutions other than to run away.

Which is pretty much what every unlucky soul who buys a ticket will want to do, too. At about the halfway point. Or earlier.

Pro-social Content

Objectionable Content

Summary Advisory

Plot Summary

Christian Beliefs

Other Belief Systems

Authority Roles



Discussion Topics

Additional Comments/Notes

Episode Reviews



Readability Age Range





Annette Bening as Deirdre Burroughs; Gwyneth Paltrow as Hope Finch; Jill Clayburgh as Agnes Finch; Evan Rachel Wood as Natalie Finch; Joseph Fiennes As Neil Bookman; Joseph Cross as Augusten Burroughs; Brian Cox as Dr. Finch; Alec Baldwin as Norman Burroughs


Ryan Murphy ( )


TriStar Pictures



Record Label



In Theaters

On Video

Year Published



Bob Hoose

We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well.

Get weekly e-news, Culture Clips & more!