Contributor: Lauren Cook

To no one’s surprise, blending heinous crime and lavish wealth into a half-hour comedy comes with some content issues.

Pantheon asks some compelling questions about humanity and technology. It even inadvertently stumbles across some biblical truth.

Unlike some true crime shows, Burden of Guilt steers clear of exploiting victims of tragedy. But its disturbing subject matter might not be for everyone.

‘Watson’ provides a new spin on the classic Sherlock Holmes stories, but it likely won’t enthuse any diehard Arthur Conan Doyle fans.

A few darker elements raise this adaptation from the kid-friendly tone of its source material to a TV-14 rating.

In sci-fi dystopia ‘Tomorrow and I,’ the future contains graphic content to make even the most desensitized viewer cringe.

This heartwarming cartoon shows that not all kids see the world the same way, and that’s a good thing!

Content issues take center stage in this TV drama about television tycoons and politicians vying for power.

While graphic content isn’t immediately obvious in Like a Dragon: Yakuza, the source material and TV-MA rating should set off some alarms.

This Italian spinoff may be less flashy and salacious than its predecessor, but look out for violence and moral ambiguity.

There’s a fascinating story here, but ‘Fight Night: The Million Dollar Heist’ buries it under adverse content and the glorification of crime.

This modern retelling of Greek mythology falls into a pit of questionable themes and content concerns deeper than Tartarus.

This sequel to That ‘70s Show is plagued by the same raunchiness and underage substance use that plagued its predecessor.

This Korean thriller will have you on the edge of your seat—but wincing at the violence and cringing at foul language.

You may not find glaringly explicit content when you check into Hotel Portofino, but be wary of adverse themes when unpacking your bags.