Rizzoli & Isles

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TV Series Review

The city of Boston is nearly 400 years old now, and it feels it. For centuries the city has accumulated its secrets like heirlooms, storing them in alleys and neighborhoods and fussy old buildings. Its ways can be impenetrable, its habits inscrutable. It has more than a culture, this harbor town; it has cultures, to which more than one film director has been drawn over the years. Often what we see on the screen suggests that these colliding worlds of color and calamity are as exotic and gritty and dangerous as anything you'd encounter on the hard streets of Moscow or the alleyways of Khartoum.

Now it's TNT's turn to take a look. But Rizzoli & Isles, a Boston-based crime procedural, doesn't really explore the ticklish terrain that lays here. It only pretends to.

Stabs and the City##

The setup is simple enough: Detective Jane Rizzoli is a cop who talks tough and acts tougher. Dr. Maura Isles is a bookish, somewhat chilly forensic pathologist who feels more at home with a Petri dish than she does at ... home.

They both see dead people, by the way. No, no, not that way. They just actually see loads of dead folks in their line of work. Then they chase after the crime lords and union bosses and psychopaths who did the original damage, all manifesting only slightly more depth than you'd see in a Dick and Jane book. ("See Hoyt. See Hoyt kill. Bad Hoyt!")

Rizzoli are Isles are trapped in a paint-by-numbers crime procedural airing on an, um, quality-impaired cable channel. If I didn't know that the show was based on a series of fairly popular books by Tess Gerritsen, I would've assumed that the writers came up with it during a particularly slow afternoon brainstorming session: "Hey, I've got an idea! What would happen if we, like, teamed up "Pepper" Anderson from 1970s Police Woman with Dana Scully from The X-Files! Only with fewer men. And more angst. And jokes! Wouldn't that be cool?"

Isles of Problems

But while the show may be mindless, it's not harmless. It has shamelessly cribbed from a variety of television shows both past and present, but it seems to have a particular fascination with CSI-level gore. Language can push the envelope for basic cable. And sexuality can also be a problem.

Speaking of sex, there's a certain lesbian subculture that believes, or at least wants to believe, that Ms. Rizzoli and Ms. Isles are gay. Fan-fiction based on the show is reportedly rife with their intimate encounters, and the show itself has at times made a winking acknowledgement of the ladies' longed-for "relationship."

Series creator Janet Tamaro insists the friendship is strictly platonic. But Dorothy Snarker on the AfterEllen blog turns such claims on their head, writing, "Jane Rizzoli and Maura Isles are not gay. They're outstanding heterosexuals who just happen to flirt, sleep in the same bed, touch each other gratuitously, look deeply into each other's eyes and have crazy, crazy chemistry while not maintaining any long-standing or significant romances with members of the opposite sex. They're straight, OK? Straight."

Positive Elements

Spiritual Content

Sexual Content

Violent Content

Crude or Profane Language

Drug and Alcohol Content

Other Negative Elements

Conclusion

Pro-social Content

Objectionable Content

Summary Advisory

Plot Summary

Christian Beliefs

Other Belief Systems

Authority Roles

Profanity/Violence

Kissing/Sex/Homosexuality

Awards

Discussion Topics

Additional Comments/Notes

Episode Reviews

The Platform - June 16, 2015
RizzoliandIsles: 8-26-2014
RizzoliandIsles: 8-13-2013
RizzoliandIsles: 7-10-2012
RizzoliandIsles: 9-5-2011

Credits

Rating

Readability Age Range

Genre

Drama, Comedy, Crime

Author

Cast

Angie Harmon as Detective Jane Rizzoli; Sasha Alexander as Dr. Maura Isles; Lorraine Bracco as Angela Rizzoli; Jordan Bridges as Frankie Rizzoli Jr.; Lee Thompson Young as Detective Barry Frost; Bruce McGill as Detective Vince Korsak; Idara Victor as Nina Holiday

Director

Distributor

Network

TNT

Performance

Record Label

Platform

Publisher

Released

Year Published

Reviewer

Paul Asay Paul Asay