TV Series Review
Dexter seems nice enough. He's got a nice job, a nice pad, a nice life. But it's all a convenient cover for his not-so-nice hobby—killing people. Then he dismembers their bodies and dumps them in the harbor. He's a serial killer driven by a hunger he can't understand and a lust for blood he refuses to deny. So does it matter that he only kills other killers?
Born on the premium cable channel Showtime (and having occasionally aired over to CBS), Dexter has been among the most talked-about shows on television for its eight controversial seasons. The show probes the mind of a killer and checks for a pulse, too. And year after year, the questions are the same: Is the guy a human or a monster? Does he fill a societal need, or does he merely feed his own horrific impulses? Does he love, or does he only think he can?
And now that the Showtime show has entered its final season, another question comes into play: Will Dexter ultimately get away with murder? With 130 murders (and counting, according to dexter.wikia.com)?
No matter the answer, TV is now awash in a multitude of other murderous TV programs (like Hannibal and The Following) because of Dexter. It inspired a horde of charismatic killers on the small screen—and helped pry open the doors to a world of telegenic gore unheard of just a decade ago.
Not amused by such a proliferation, the Parents Television Council's president, Tim Winter, said, "The broadcast industry must grasp the significance of the role it plays by desensitizing and validating violent and unlawful behavior." And that's not an overstatement. Dexter doesn't just ask audiences to like a serial killer. It compels them to.
"Some people express a sense of guilt that they are drawn to the show," Dexter star Michael C. Hall told USA Today. "Maybe the guilt is more intense because they find themselves identifying with and liking the guy."
Why? Well, to start with, Dexter is instilled with a twisted sense of right and wrong in that he only kills folks who "deserve" it: rapists, pedophiles, drunk drivers who literally got away with murder. And he's generally encouraged to do so—first by his father, then by Dr. Evelyn Vogel, who believes that he is a "perfect" psychopath. She encourages Dexter to embrace his talents and stop pretending to care for other people. He should leave his humanity behind, she tells him. And so Dexter, like a blood-soaked Pinocchio, seems torn between being a puppet to his own hungers and becoming a real boy, a real human.
It's a provocative show, then, one that's designed to make us question our own notions of good and evil. But take away the sharp writing and challenging moral ambiguity and Dexter turns out to be little more than a gussied up extension of the Saw movies. The hero here does monstrous things. The fact that he thinks while he dispatches other monsters doesn't change that.
Crude or Profane Language
Drug and Alcohol Content
Other Negative Elements
Other Belief Systems
Readability Age Range
Michael C. Hall as Dexter Morgan; Jennifer Carpenter as Debra Morgan; David Zayas as Angel Batista; James Remar as Harry Morgan; C.S. Lee as Vince Masuka; Lauren Vélez as Maria LaGuerta; Desmond Harrington as Det. Joseph 'Joey' Quinn; Charlotte Rampling as Dr. Evelyn Vogel
Paul Asay Paul Asay