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TV Series Review

I never liked camp as a kid. The bugs. The bunkhouses. The communal bathrooms. Oh, I know, there are people who have the time of their lives at camp. They'll go on and on about the hiking and the rafting and the Thursday afternoon relay races. That's great. Me, I wanted to stay inside and read.

Still, I think I'd rather go back to camp again than sit through another episode of NBC's summer dramedy series Camp, a sickly show that has only a single saving grace: Mosquitos can't fly through the television screen.

The Little Otter Family Camp is a place where families can gather for the summer, communing with nature and one another. And that, as far as it goes, is nice—so nice that we'll even not wonder too much about how all these moms and dads were able to take off so much time to go to Little Otter, much less pay for the thing.

But these socially minded families are not the focus of Camp. Oh, we're introduced to a handful of them—two gay fathers, for instance, and a mother who pines for her promiscuous youth. We see a few young children, too, whose sole purpose seems to be to parrot or critique the inappropriate things their counselors say.

No, most of our time is spent with the comely teens and handsome twentysomethings who have turned Little Otter into their own personal playground. Kip is an introverted leukemia survivor who serves as the show's outsider everyman. Marina is the girl who's shunned by the camp's cool-girl clique because she flashed her breasts to the whole Internet in a moment of juvenile indiscretion. Buzz is the son of the camp's owner who has plans—written plans—on how to lose his virginity.

All of these obligatory misfits are presided over by owner/manager Mackenzie "Mack" Granger, whose husband just left her for another woman and whose camp is a toenail away from closing down.

I'd like to say Camp means well—that in spite of its egregious content it has a good heart. Unfortunately, the best I can do is tell you that this NBC show thinks it means well—the same way a drunk parent thinks he's being responsible by telling his kid to stay in the car for a couple of hours while he goes gambling. Camp encourages folks to sometimes take risks—but those risks typically involve theft or drinking or punching somebody out. It embraces the idea of loving life—but then insists that life is best enjoyed through a haze of marijuana smoke and/or forbidden sexual contact.

I'll note here that lots of real-life summer camps out there are Christian camps where kids (and sometimes adults) gather to have good, clean fun, meet new people and get a little closer to God. Other camps may focus on learning about nature and developing survival skills in the wild. Some may be designed to push at-risk teens into a healthier, more mature way of thinking.

In other words, most camps are, ostensibly, about growing up a little.

Little Otter has found another niche for its clientele: fostering immaturity. It encourages children to engage in adult behaviors while the adults grow ever more juvenile. If Jason shambled out of the camp's lake and started brandishing a chain saw, I'd half expect Mack to encourage the guy to do whatever it takes to find himself and be happy.

I'd rather not stick around to find out if that ever happens, though. 'Cause this show made me homesick on my very first day.


Positive Elements

Spiritual Content

Sexual Content

Violent Content

Crude or Profane Language

Drug and Alcohol Content

Other Negative Elements


Pro-social Content

Objectionable Content

Summary Advisory

Plot Summary

Christian Beliefs

Other Belief Systems

Authority Roles



Discussion Topics

Additional Comments/Notes

Episode Reviews

Camp: 7-10-2013



Readability Age Range



Rachel Griffiths as Mackenzie 'Mack' Granger; Rodger Corser as Roger Shepard; Thom Green as Kip Wampler; Charles Grounds as Buzz Granger; Dena Kaplan as Sarah Brennan; Charlotte Nicdao as Grace; Nicolai Nikolaeff as David 'Cole' Coleman; Tim Pocock as Robbie Matthews; Lily Sullivan as Marina Barker






Record Label




On Video

Year Published



Paul Asay

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