Toni Braxton
By All Music Guide
By All Music Guide
Braxton was born in Severn, MD, on October 7, 1968. The daughter of a minister, she was raised mostly in the strict Apostolic faith, which prohibited not only all popular culture, but also pants in womens wardrobes. Encouraged by their mother, an operatically trained vocalist, Braxton and her four sisters began singing in church as girls; although gospel was the only music permitted in the household, the girls often watched #Soul Train when their parents went shopping. Braxtons parents later converted to a different faith, and eased their restrictions on secular music somewhat, allowing Braxton more leeway to develop her vocal style; because of her husky voice, she often used male singers like Luther Vandross, Stevie Wonder, and Michael McDonald as models, as well as Chaka Khan. Braxton had some success on the local talent-show circuit, continuing to sing with her sisters, and after high school studied to become a music teacher. However, Braxton soon dropped out of college after she was discovered singing to herself at a gas station by songwriter Bill Pettaway (who co-authored Milli Vanillis Girl You Know Its True). With Pettaways help, Braxton and her sisters signed with Arista Records in 1990 as a group dubbed simply the Braxtons.
The Braxtons released a single in 1990 called The Good Life, and while it wasnt a hit, it caught the attention of L.A. Reid and Babyface, the red-hot songwriting/production team who had just formed their own label, LaFace (which was associated with Arista). Braxton became the first female artist signed to LaFace in 1991, and the following year she was introduced to the listening public with a high-profile appearance on the soundtrack of Eddie Murphys #Boomerang. Not only did her solo cut Love Shoulda Brought You Home become a substantial pop and R&B hit, but she also dueted with Babyface himself on Give U My Heart. Anticipation for Braxtons first album ran high, and when her eponymous solo debut was released in 1993, it was an across-the-board smash, climbing to number one on both the pop and R&B charts. It spun off hit after hit, including three more Top Ten singles in Another Sad Love Song, Breathe Again, and You Mean the World to Me, plus the double-sided R&B hit I Belong to You/How Many Ways. With eventual sales of over eight million copies, Toni Braxtons run of popularity lasted well into 1995. By that time, Braxton had scored Grammys for Best New Artist and Best Female R&B Vocal (Another Sad Love Song) in 1994, and tacked on another win in the latter category for Breathe Again in 1995.
To tide fans over until her next album was released, Braxton contributed Let It Flow to the Whitney Houston-centered soundtrack of #Waiting to Exhale in 1995. Again working heavily with L.A. Reid and Babyface, Braxton released her second album, Secrets, in the summer of 1996, and predictably, it was another enormous hit. The first single, Youre Makin Me High, was Braxtons most overtly sexual yet, and it became her biggest pop hit to date; however, its success was soon eclipsed by the follow-up single, the Diane Warren-penned allad Un-break My Heart. Un-break My Heart was an inescapable juggernaut, spending an amazing 11 weeks on top of the pop charts (and even longer on the adult contemporary charts). Further singles I Dont Want To and How Could an Angel Break My Heart werent quite as successful (not that thats an indictment), but that didnt really matter; by then Secrets was well on its way to becoming Braxtons second straight eight-million-seller. In 1997, she picked up Grammy awards for Best Female Pop Vocal and Best Female R&B Vocal (for Un-break My Heart and Youre Makin Me High, respectively).
Toward the end of 1997, Braxton filed a lawsuit against LaFace Records, attempting to gain release from a contract she felt was no longer fair or commensurate with her status. When LaFace countersued, Braxton filed for bankruptcy, a move that shocked many fans (who wondered how that could be possible, given her massive sales figures) but actually afforded her protection from further legal action. Braxton spent most of 1998 in legal limbo, and passed the time by signing on to portray %Belle in the Broadway production of Disneys +Beauty and the Beast (a role originally held by erstwhile teen queen Deborah Gibson). Braxton and LaFace finally reached a settlement in early 1999, and the singer soon began work on her third album. Heat was released in the spring of 2000, and entered the charts at number two, matching the highest position held by Secrets. Lead single He Wasnt Man Enough was a Top Ten hit (and an R&B chart-topper), although the follow-ups Just Be a Man About It (a duet with Dr. Dre) and Spanish Guitar didnt sustain the albums momentum as well as one might have expected. A brisk seller out of the box, The Heat eventually cooled off around the two-million mark; a disappointing showing compared to her previous efforts, despite yet another Grammy win for Best Female R&B Vocal (He Wasnt Man Enough).
In 2001, Braxton made her feature film debut in the ensemble comedy #Kingdom Come, and married Mint Condition keyboardist Keri Lewis; by the end of the year, they had a baby boy. Braxton also released her first holiday album, Snowflakes. In early 2002, Braxton appeared in the VH1 movie #Playd, and recorded More Than a Woman for release later that year. The singles Please and Thats the Way Love Works (Trippin) announced Braxtons 2005 return with the full-length Libra.
