Peter Gabriel
By All Music Guide
By All Music Guide
Following his departure from Genesis in 1976, Peter Gabriel began work on the first of three consecutive eponymously titled albums; each record was named Peter Gabriel, he said, as if they were editions of the same magazine. In 1977, his first solo album appeared and became a moderate success due to the single Solsbury Hill. Another self-titled record followed in 1978, yet received comparatively weaker reviews. Gabriels third eponymous album was his artistic breakthrough. Produced by Steve Lillywhite and released in 1980, the album established Gabriel as one of ocks most ambitious, innovative musicians, as well as one of its most political -- Biko, a song about a murdered antiapartheid activist, became one of the biggest protest anthems of the 80s. Games Without Frontiers, with its eerie chorus, nearly reached the Top 40.
In 1982, Gabriel released Security, which was an even bigger success, earning positive reviews and going gold on the strength of the startling video for Shock the Monkey. Just as his solo career was taking off, Gabriel participated in a one-shot Genesis reunion in order to finance his WOMAD -- World of Music, Arts and Dance -- Festival. WOMAD was designed to bring various world musics and customs to a Western audience, and it soon turned into an annual event, and a live double album was released that year to commemorate the event. As Gabriel worked on his fifth album, he contributed the soundtrack to Alan Parkers 1984 film #Birdy. His score was highly praised and it won the Grand Jury Prize at Cannes that year. After founding Real World, Inc. -- a corporation devoted to developing bridges between technology and multiethnic arts -- in 1985, he completed his fifth album, So.
Released in 1986, So became Gabriels commercial breakthrough, largely because his Stax homage Sledgehammer was blessed with an innovative video that combined stop-action animation with live action. So climbed to number two as Sledgehammer hit number one, with Big Time -- featuring a video very similar to Sledgehammer -- reaching the Top Ten and In Your Eyes hitting the Top 30. As So was riding high on the American and British charts, Gabriel co-headlined the first benefit tour for Amnesty International in 1986 with Sting and U2. Another Amnesty International Tour followed in 1988, and the following year, Gabriel released Passion: Music for The Last Temptation of Christ, a collection of instrumentals used in Martin Scorseses film. Passion was the furthest Gabriel delved into worldbeat, and the album was widely acclaimed, winning the Grammy Award in 1989 for Best New Age Performance. In 1990, he released the hits compilation Shaking the Tree.
Gabriel labored long on the pop-music follow-up to So, finally releasing Us in the spring of 1992. During the recording of Us, Gabriel went through a number of personal upheavals, including a painful divorce, and those tensions manifested themselves on Us, a much darker record than So. For various reasons, not the least of which was the fact that it was released six years after its predecessor, Us wasnt as commercially successful as So, despite positive reviews. Only one single, the Sledgehammer knockoff Steam, reached the Top 40, and the album stalled at platinum sales. In 1993, Gabriel embarked on the most ambitious WOMAD tour to date, touring the United States with a roster including Crowded House, James, and Sinéad OConnor, with whom he had an on-off romantic relationship. The following year, he released the double-disc Secret World Live, which went gold. Later in 1994, he released the CD-ROM Xplora, one of many projects he developed with Real World. For the next three years, Gabriel concentrated on developing more multimedia projects for the company.
