Styx
By All Music Guide
By All Music Guide
Early on, Styxs music reflected such then-current prog rockers as Emerson, Lake & Palmer and the Moody Blues, as evidenced by such releases as 1972s self-titled debut, 1973s Styx II, 1974s The Serpent Is Rising, and 1975s Man of Miracles. While the albums (as well as non-stop touring) helped the group build a substantial following locally, Styx failed to break through to the mainstream, until a track originally from their second album, Lady started to get substantial airplay in late 74 on the Chicago radio station WLS-FM. The song was soon issued as a single nationwide, and quickly shot to number six on the singles chart, as Styx II was certified gold. By this time, however, the group had grown disenchanted with their record label, and opted to sign on with A&M for their fifth release overall, 1975s Equinox (their former label would issue countless compilations over the years, culled from tracks off their early releases). On the eve of the tour in support of the album, Curulewski abruptly left the band, and was replaced by Tommy Shaw (sadly, Curulewski would pass away from an aneurysm in 1988). Shaw proved to be the missing piece of the puzzle for Styx, as most of their subsequent releases throughout the late 70s earned at least platinum certification (1976s Crystal Ball, 1977s The Grand Illusion, 1978s Pieces of Eight, and 1979s Cornerstone), and spawned such hit singles and classic rock radio standards as Come Sail Away, Renegade, Blue Collar Man, Fooling Yourself, and the power allad Babe.
Despite the enormous success of Babe, it caused tension within the group -- specifically between Shaw and DeYoung (the latter of which was the songs author), as the guitarist wanted Styx to continue in a more hard rock-based direction, while DeYoung sought to pursue more melodic and theatrically-based works. This led to DeYoung being briefly ousted from the group (although it was kept completely hush-hush at the time), before a reconciliation was met. The band decided that their first release of the 80s would be a concept album, 1981s Paradise Theater, which was loosely based on the rise and fall of a once-beautiful theater (which was supposedly used as a metaphor for the state of the U.S. at the time -- the Iranian hostage situation, the Cold War, Reagan, etc.). Paradise Theater became Styxs biggest hit of their career (selling over three million copies in a three-year period), as they became one of the U.S. top rock acts due to such big hit singles as Too Much Time on My Hands and The Best of Times. But the behind-the-scenes bickering only intensified in the wake of the albums success, as DeYoung was now convinced that a more theatrical approach was the future direction for Styx. Shaw and the rest of the group begrudgingly went along, and while the resulting follow-up was another hit, 1983s sci-fi based Kilroy Was Here (which told the story of a future where rock & roll was outlawed, almost a carbon copy of the story line of Rushs 2112), the album would eventually lead to the groups breakup -- as the ensuing prop-heavy tour seemed to focus more on scripted dialogue and lengthy films than good old rock & roll.
A forgettable live album, Caught in the Act, was issued in 1984, before Styx went on hiatus, and the majority of its members pursued solo projects throughout the remainder of the decade. DeYoung issued 1984s Desert Moon (which spawned a moderate hit single with its reflective title track), 1986s Back to the World, and 1988s Boomchild, Young released 1986s City Slicker, while Shaw put forth several solo sets -- 1984s Girls With Guns, 1985s What If?, 1986s Live in Japan, and 1987s Ambition. Shaw then formed Damn Yankees along with former Night Ranger bassist/singer Jack Blades, guitarist Ted Nugent, and drummer Michael Cartellone, a group who enjoyed commercial success right off the bat with their self-titled debut in 1990 (due to the hit power allad High Enough), before issuing an unsuccessful sophomore effort two years later, Dont Tread. During Shaws tenure with Damn Yankees, Styx had re-formed with newcomer Glen Burtnik taking the place of Shaw -- issuing a new studio album in 1990, Edge of the Century, which spawned yet another hit power allad, Show Me the Way. But the Styx reunion was a fleeting one, as its members went their separate ways shortly thereafter -- with DeYoung going on to play Pontius Pilate in a revival of Jesus Christ Superstar (and issuing an album of Broadway show tunes, 1994s 10 on Broadway), while Young issued a pair of solo discs (1994s Out on a Day Pass and 1995s Raised by Wolves), and Shaw teamed up with Jack Blades for the short-lived outfit, Shaw Blades (issuing a lone recording in 95, Hallucination).
A re-recording of their early hit, Lady (titled Lady 95), for a Greatest Hits compilation, finally united Shaw with his former Styx bandmates, which led to a full-on reunion tour in 1996. But drummer John Panozzo fell seriously ill at the time (due to a long struggle with alcoholism), which prevented him from joining the proceedings -- as he passed away in July of the same year. Although grief-stricken, Styx persevered with new drummer Todd Sucherman taking the place of Panozzo, as the Styx reunion tour became a surprise sold-out success, resulting in the release of a live album/video, 1997s Return to Paradise, while a whole new generation of rock fans were introduced to the grandiose sounds of Styx via a humorous car ad which used the track Mr. Roboto, as well as songs used in such TV shows as South Park and Freaks & Geeks. The group even stuck around long enough to issue a new studio album, 1999s Brave New World, before friction between bandmembers set in once again. With the other Styx members wanting to soldier on with further albums and tours, DeYoung was forced to take a break when he developed an uncommon viral ailment, which made the singer extremely sensitive to light. DeYoung was able to eventually overcome his disorder, but not before Shaw and Young opted to enlist new singer Lawrence Gowan and issuing a pair of live releases in the early 21st century -- 2000s Arch Allies: Live at Riverport (split 50-50 between Styx and REO Speedwagon) and 2001s Styx World: Live 2001. DeYoung began touring as a solo artist at the same time, and eventually attempted to sue Shaw and Young over the use of the name Styx (the lawsuit was eventually settled in late 2001). Around the same time, Chuck Panozzo confirmed rumors that he had contracted AIDS (but was battling the virus successfully), while the turbulent career of Styx was told in an entertaining episode of VH1s Behind the Music.
In the spring of 2003, a new studio album featuring Gowan arrived in stores. For Cyclorama, Styx consisted of Shaw, Young, Burtnik, Sucherman and Gowan. It also featured guest appearances from John Waite, Brian Wilson, and actor Billy Bob Thornton. By the end of the year, Burtnik was out of the band and replaced by former Bad English and Babys member Ricky Phillips, although Panozzo did play with the group on select live dates. Come Sail Away: The Styx Anthology from 2004 did an excellent job of representing the bands career in two CDs while 2005s double disc The Complete Wooden Nickel Recordings collected the bands first four albums. That same year, the band recorded their picks from the Great Rock Songbook and released the cover version filled Big Bang Theory.
