Portishead
By All Music Guide
By All Music Guide
Named after the West Coast shipping town where Geoff Barrow grew up, Portishead formed in Bristol, England, in 1991. Prior to the groups formation, Barrow had worked as a tape operator at the Coach House studio, where he met Massive Attack. Through that group, he began working with Tricky, producing the rappers track for the Sickle Cell charity album. Barrow also wrote songs for Neneh Cherrys Homebrew, though only Somedays appeared on the record. Around the time of Portisheads formation, he had begun to earn a reputation as a remix producer, working on tracks by Primal Scream, Paul Weller, Gabrielle, and Depeche Mode. Barrow met Beth Gibbons, who had been singing in pubs, in 1991 on a job scheme. Over the next few years, the pair began writing music, often with jazz guitarist Adrian Utley, who had previously played with both Big John Patton and the Jazz Messengers.
Before releasing a recording, Portishead completed the short film #To Kill a Dead Man, an homage to 60s spy movies. Barrow and Gibbons acted in the noirish film and provided the soundtrack, which earned the attention of Go! Records. By the fall, Portishead had signed with Go! and their debut album, Dummy, was released shortly afterward. Dummy was recorded with engineer Dave MacDonald, who played drums and drum machines, and guitarist Utley, who rounded out Portisheads lineup.
Both Barrow and Gibbons were media-shy -- the vocalist refused to participate in any interviews -- which meant that the album received little attention outside of the weekly U.K. music press, which praised the album and its two singles, Numb and Sour Times, heavily. Soon, Go! and Portishead had developed a clever marketing strategy based on the groups atmospheric videos that began to attract attention. ~Melody Maker, ~Mixmag, and ~The Face named Dummy as 1994s album of the year, and early in 1995, Glory Box debuted at number 13 without any radio play. Around the same time, Sour Times entered regular rotation on MTV in America. Within a few weeks, Dummy and Sour Times were alternative rock hits in the U.S. Back in the U.K., the album had crossed over into the mainstream, becoming a fixture in the British Top 40. In July, the record won the Mercury Music Prize for Album of the Year, beating highly touted competition from Blur, Suede, Oasis, and Pulp.
Following the Mercury Music Prize award, Barrow retreated to Coach House to begin work on Portisheads second album. The self-titled record finally appeared in September 1997. The live PNYC followed late the next year.
