Barry Manilow
By All Music Guide
By All Music Guide
Manilow dominated pop music during the latter half of the 70s like few other performers, spinning off a long series of hit singles (including 13 number one hits on the adult contemporary charts) and platinum albums that essentially made the Arista label. The well began to run dry by the early 80s; no longer a superstar expected to deliver blockbuster hits, Manilow was free to explore his long-held taste for swing, pop standards, and Broadway show tunes, which dominated his albums from the mid-80s on. He has continued to record steadily, and his popularity never completely eroded, as evidenced by the number three chart debut of his 2002 greatest-hits package, Ultimate Manilow, and the number one peak of his 2006 covers album, Greatest Songs of the Fifties.
Barry Manilow was born Barry Alan Pincus on June 17, 1946, in Brooklyn, and grew up in its low-income Williamsburg section. His father left the family when Barry was two, and he eventually adopted his mothers maiden name of Manilow. He began playing piano and accordion at age seven, and following high school, he was accepted to the prestigious Juilliard School of Music, which he paid for by working in the CBS mail room. From there, he became musical director of the CBS show #Callback, and supported himself for the next few years by writing, producing, and performing advertising jingles (including high-profile campaigns for State Farm, Dr. Pepper, McDonalds, Kentucky Fried Chicken, and more).
In 1971, he met Bette Midler, who hired him as her pianist, arranger, and musical director; he served as her accompanist on her legendary pre-fame tour of New York Citys gay bathhouses, masterminded her first two albums (1972s The Divine Miss M and its self-titled follow-up), and debuted some of his original material at her ~Carnegie Hall show in the summer of 1972. Thanks to his gig with Midler, Manilow was able to land a record deal of his own with the fledgling Bell label, and his debut album, Barry Manilow I, was released in 1973. It didnt sell very well, and when Bell became Arista, label head Clive Davis asked Manilow to record a pop tune called Brandy, which had been a U.K. hit for its co-writer, Scott English. Manilow changed the song into a allad and changed the title to Mandy (to avoid confusion with the Looking Glass hit Brandy (Youre a Fine Girl)); released on 1974s Barry Manilow II, Mandy became a number one hit early the next year. The Broadway-esque follow-up, Its a Miracle, hit the Top 20, and a re-release of the Chopin-adapted allad Could It Be Magic (from the first album) hit the Top Ten.
With his career thus established, Manilow recorded an even stronger follow-up album in 1975s Tryin to Get the Feeling. I Write the Songs (ironically, written by Beach Boys sideman Bruce Johnston) became his second number one pop hit in early 1976, and with the title track also hitting the Top Ten, the album went triple platinum. Manilow consolidated his emerging stardom with This Ones for You, released toward the end of the year; it produced hits in the title track, the Top Ten Weekend in New England, and the number one Looks Like We Made It. In 1977, Manilow released the concert double-LP Live, which became his first and only number one album, as well as his biggest hit with sales of over four million copies. The same year, he won an Emmy for his first prime-time special on ABC (aptly titled #The Barry Manilow Special); the network would air Manilow specials for the next several years. Even Now was another triple-platinum success in 1978; Cant Smile Without You, the disco-tinged Copacabana, and Somewhere in the Night all hit the Top Ten, with the first two marking a departure from Manilows typical reliance on allads for his hits.
The first signs that Manilows run of success was in jeopardy came on 1979s One Voice, which -- although it sold well and produced a Top Ten hit in an unlikely cover of former Mott the Hoople frontman Ian Hunters Ships -- didnt have the same consistency of craftsmanship as its predecessors. Released in 1980, Barry spawned Manilows last Top Ten hit, I Made It Through the Rain; though he remained a massively popular international touring act, and continued to place hits on the adult contemporary charts for a few more years, the prime of his pop success was over. In 1984, Manilow officially changed direction, recording an album of swinging, jazzy originals called 2:00 A.M. Paradise Café; it featured jazz greats like Mel Tormé, Sarah Vaughan, Shelly Manne, and Gerry Mulligan. Subsequent ventures like 1987s Swing Street, 1991s Showstoppers, 1994s Singin with the Big Bands, and 1998s Manilow Sings Sinatra all explored various facets of swing, vocal jazz, and raditional pop. In addition, Manilows stage musical +Barry Manilows Copacabana: The Musical premiered in 1994, and continued to tour the U.S. and U.K.; another musical, +Harmony, was premiered in 1999.
Manilows long relationship with Arista ended when he signed to the jazz-oriented Concord label, for which he debuted in late 2001 with the concept album Here at the Mayflower, which continued his evolution into a pre- ock pop stylist. Manilow began to reenter the wider public eye in 2002, performing Let Freedom Ring at the Super Bowl pre-game show; aided by television advertising, Ultimate Manilow entered the album charts at a stunning number three position that March. A DVD release of the collection followed, as well as a two-disc set of live music called 2 Nights Live that had been culled from a weekend in New Jersey. Manilow went back to the studio in 2005 to record a diverse collection of tracks from the 1950s with producer and music mogul Clive Davis. The resulting Greatest Songs of the Fifties, a labor of love, became a surprise hit and topped the charts in early 2006. A sequel, Greatest Songs of the Sixties, arrived at the end of that year.
